Expertise & Texts

Contemporary Russian Cinema: Symbols of a New Era

Russian Culture in the Age of Globalization

Popular Geopolitics: Plotting An Evolving Interdiscipline

Memory and Securitization in Contemporary Europe

Building New Worlds: Industry and Visual Culture

Russian Aviation, Space Flight and Visual Culture

New Media in New Europe-Asia

From Central to Digital: Television in Russia

Celebrity and Glamour in Contemporary Russia: Shocking chic

The Popular Geopolitics Feedback Loop: Thinking Beyond the ‘Russia against the West’ Paradigm, Europe-Asia Studies, 2017.

The (Im)personal Connection: Computational Systems and (Post-)Soviet Cultural History, Studies in Russian, Eurasian and Central European New Media, 2016.

Russian ‘Manipulative Smart Power’: Zviagintsev’s Oscar Nomination, (Non-)Government Agency and Contradictions of the Globalized World, New Cinemas: Journal of Contemporary Film, 2016.

Inverting the Imperial Dyad. Post-Soviet Screen Adaptations of Tolstoy`s “A Prisoner of the Caucasus”, Contemporary Russian Cinema, 2016.

Digital Conservatism: Framing Patriotism in the Era of Global Journalism, Eurasia 2.0. Russian Geopolitics in the Age of New Media, 2016.

From Central to Digital: Television in Russia, Voronezh UP, 2014.

Moving Data: The iPhone and the Future of Media, Studies in Russian, Eurasian and Central European New Media, 2013.

Pussy Riot: From Local Appropriation to Global Documentation, or Contesting the Media System, Studies in Russian, Eurasian and Central European New Media, 2013.

Spatial Imagining and Ideology of Digital Commemoration (Russian Online Gaming), Europe-Asia Studies, 2012.

Ludic Digitality: A. Sokurov’s Russian Ark and A. Popogrebskii’s How I ended this summer as Cinegames, Studies in Russian, Eurasian and Central European New Media, 2012.

BBC’s Video Hub: Working in the Post-Broadcast Era, Studies in Russian, Eurasian and Central European New Media, 2012.

Digital Switchover, or Digital Grip: Transition to Digital Television in the Russian Federation, International Journal of Digital Television, 2011.

Digital Stages Festival of Performance, Studies in Russian, Eurasian and Central European New Media, 2011.

Translated by Goblin: Global Challenge and Local Response in Post-Soviet Translations of Hollywood Films, Contexts, Subtexts, Pretexts: Literary translation in Eastern Europe and Russia, 2011.

Access Controlled: The Shaping of Power, Rights, and Rule in Cyberspace, Studies in Russian, Eurasian and Central European New Media, 2011.

Russian Internet Stars: Gizmos, Geeks, and Glory, Celebrity and Glamour in Contemporary Russia: Shocking Chic, 2010.

‘For All Who Draw the Sword Will Die by the Sword’: the Symbolism of Filipp Iankovskii’s The Sword Bearer, Studies in Russian and Soviet Cinema, 2010.

The Forces of Kinship: Timur Bekmambetov’s Night Watch Cinematic Trilogy, Russian Science Fiction Literature and Cinema, 2010.

Possesive and Superlative: On the Simulation of Democracy and Nationhood in Russia, Studies in Russian, Eurasian and Central European New Media, 2009.

Russia’s Internet Media: Open Space and Ideological Closure, The Post-Soviet Media: Conflicting Signals, 2009.

A Journey through Time: Alexander Sokurov’s Russian Ark and Theories of Mimesis, Realism and Audiovisual Media, 2009.

The Return of Gods: Andrei Zvyagintsev’s Vozvrashchenie (The Return), The Slavic and East European Journal, 2007.

Masiania, or Remaiganing the Self in the Cyberspace of Rusnet, The Slavic and East European Journal, 2004.